Call me old fashioned, but I just don’t get this new fangled 3-D obsession in cinema nowadays. If I wanted things appearing to poke me in the face then I’d attach a pen to a spinning bicycle wheel and sit a few centimetres away from it with my eyes taped open. And I’m obviously not going to do that.
As a short-sighted glasses wearer I don’t need to wear an extra pair of specs on top, with a fuzzy bit at the top of my vision which neither glasses cover. Therefore in defiance of the future of cinema, I strode into a 2-D version of Up. And it just goes to show that 3-D is unnecessary, because even without the fancy gizmos, Up is simply marvellous.
With a plot obviously written while on magic mushrooms, Up is a joyous blend of childlike silliness and adult heart-wrenching sadness. The opening ten minutes managed to reduce me to tears with a montage, echoing Wall-E’s amazing knack of conveying deep emotion without using any dialogue. It features the crushingly cruel truth of the outcome to any long-term love, and deals with it in such a beautiful, mature manner that you’d be forgiven for thinking it wasn’t a child’s film at all. And then the balloons come out.
Anyone miffed by the sudden change in tone from cold hard truth to vibrant sugar-fuelled insanity should be branded an idiot fool – and I mean literally branded. On the forehead. A film about a man who attaches balloons to his house and flies away – an inescapable point given all posters feature a picture of said event – must surely hint that the plot is far removed from the realms of the possible. Just how far it takes you into crazy territory is surprising, but if you’re going along for the ride it becomes not only hugely enjoyable, but also absolutely hilarious and thrilling too.
Picking an old dude for the main character seems a bit of a stuffy move for Pixar – who the hell wants to watch old people in films anyway? All they do is shuffle and pee. But Pixar win again, because not only is it original to feature a geriatric hero, they also accomplish two genius things – one, an OAP fight scene that’s just gold, and two, the idea of small children coming out of this film and never seeing their Granddad in the same light again.
Never one to disappoint, Pixar have done it again with an original gem, scoring points for tackling such deep emotional issues and mixing them with some old fashioned childish nonsense. Funny, exciting, heart-warming – just beautifully enjoyable, Up storms up the CF point scale to reach the dizzying heights of a CF4. Highest scorer of the year? Cor blimey I believe it is. Up yours!